Fieldnotes: Chief Suri Kandeh’s kingbatankeh
Faces|Voices wins Best Research Film award
It is I who come, Onyeso …
Community outreach with the Art Assassins
Omu and the red cap controversy in Okpanam
Colonial Indexicality
Nigerian String Games
Kelani Abass [Re:]Entanglements exhibition
110 years of photographing N. W. Thomas collections
Benin City: Colonial archives, creative collaborations
‘Artist: Unknown’ exhibition
Revisiting some Awka folksongs, guest blog by Samson Uchenna Eze
Creative engagements with the archive
Ichi scarification and the Nka Dioka Festival, Neni
A musical journey in the footsteps of N. W. Thomas
Fieldnotes: protection from witchcraft
Conversations with a carver
Faces|Voices – confronting the photographic archive
Fieldnotes: Kuranko flute
[Re:]Entanglements fieldwork activities
Hand-colouring Northcote Thomas’s photographs
Alele, Ọja, Flute
Faces/Voices pilot video shoot
Museum Affordances Workshop 1: Collections, Guest blog by Cécile Bründlmayer
Introduction to the Museum Affordances project
Otuo wrestling festival, July 1909
Ibillo’s Ugolo mask, Guest blog by Jean Borgatti and Wendy Emmanuel Adejumoh
The Eliminya Festival masquerades ‘in detail’, Guest blog by Jean Borgatti
Meeting themselves again. An object-oriented perspective?
Colonial Anthropology and Its Archival Legacies
Rediscovering Northcote Thomas’s artefact collections
Panoramic photography and photographic excess
Sound recording in the field, Agila, 1913
The Eliminya Festival, Otuo, Guest blog by Jean Borgatti
N. W. Thomas – an accidental artist?
Peripheral presences: N. W. Thomas’s Field Assistants
‘Susu Boy’, Guest blog by Chiadikōbi Nwaubani
Event: Diasporic Objects symposium, Leiden
Chief Iyamu and Egedege N’okaro, Benin City
Northcote Thomas, Benin Kingship and the Interregnum
Photographic Affordances exhibition
‘Fire Brigade’, Benin City, January 1909
A Government Anthropologist sets sail for Lagos
Who was N. W. Thomas?
Call for Papers: Museum Affordances