Focusing on the physical type photographic portraits made by the Government Anthropologist, Northcote Thomas, in West Africa in the early 20th century, this presentation by Paul Basu discusses some of the [Re:]Entanglements project’s filmic interventions that address the ‘absent voices’ and ‘silences’ in the colonial anthropological archive.
Among various issues, Paul Basu discusses silences in the colonial archive as both a violence and an act of resistance. Drawing on the work of Tina Campt in Listening to Images, he questions whether the Thomas’s photographic portraits are indeed silent, and discusses various approaches to ‘voicing’ these photographs, including using photo elicitation methods, inviting people to voice what the photographs ‘say’ to them, and using storytelling to speculate on what Thomas’s subjects may have had to say.
The Awards ceremony took place on 12 November 2019 at the British Film Institute on London’s Southbank. It was wonderful seeing Faces|Voices projected on the huge screen of the National Film Theatre, and of course it was a great honour to win the top prize. Paul Basu received the prize alongside co-director Chris Allen of The Light Surgeons.
The award resulted in some great media covered for Voices|Faces and the broader [Re:]Entanglements project. Please explore some of the links below.
We would especially like to thank the participants in Faces|Voices – Ebony Francis, Robert Kelechi Isiodu, Kofi Mawuli Klu, Yvonne Mbanefo and Esther Stanford-Xose – whose eloquent commentaries on Northcote Thomas’s photographs made the film such a success.